Matthew Willman was born in 1979 outside of Durban, South Africa. He grew up in a middle class family with three other siblings at the end of the street. Much of Willman’s formative years were spent climbing trees or wandering off on his own living within his imaginative make-believe world.
Whilst Apartheid began to implode in the late 1980’s and early 90’s, sporadic violence, street bombings, and the threat of social unrest were an everyday reality. Yet through it all, this skinny unsure kid trained as a ballet dancer in an old government school hall over the road from a police station.
In his late teens, Willman made the transition from ballet to photography. For Willman it was a natural progression. Photography and ballet were married to each other. Both opened worlds through which Willman’s love for the visual arts could grow and thrive. The camera became a passport he could use to explore not only his passion for dance but an extraordinary tool he could use to interpret, discover and make sense of the world around him. Photography gave him a clear voice in an otherwise fragmented dystopian world.